Showing posts with label Shankar. Show all posts
Showing posts with label Shankar. Show all posts

19 July, 2017

GST at Cinema Theatres

GST is the most searched term, perhaps in the past 30 days or so. India transitioned to GST on the midnight of 1st July 2017 with a special session of the Parliament, which was attended by the Prime Minister and his Cabinet including members of the Opposition. Much has been spoken about GST so I am not going to delve in any further. But I am presenting my views on how GST in Tamil Film Industry is affecting the trade.


In Tamil Nadu, there was no VAT on cinema tickets prior to GST. However, there was an Entertainment Tax @ 30% on the ticket prices. The DMK Government, when they claimed power in 2001 provided a reprieve to the Tamil cinema Industry for the said Entertainment Tax if the film had a title in Tamil and was provided a U Certificate among a few other clauses. That’s when Sun Pictures was floated (a division of Sun Media Network which runs Sun Tv & 45+ channels in four regional languages). The reprieve was used by most Producers with fancy Tamil titles including the all time highest grosser of Superstar Rajnikanth whose film directed by Shankar was titled “Enthiran” meaning Robot in Tamil.


The ticket prices in Tamil Nadu have been capped at Rs. 120 for Multiplex screens and Rs. 100 for standalone Theatres. The 120-cap was inclusive of 30% ET, which means the actual earning to the Theatre Operator was only Rs. 84. However, due to the largesse by the successive Governments, the theatres were able to earn extra – the ET collection was not passed on to the Customers, rather pocketed in to their kitties – obviously because the Producers knew they could hard bargain with the Exhibitors for a higher Minimum Guarantee & higher Revenue Share as well. This vicious cycle has been going on for a while with 9 out of 10 cinemagoers unaware of the same.

On June 30th 2017, the TN Government passed a mandate where the local body tax was applicable at 30%, which was over and above the GST. Cinema Exhibitors got in to a huddle on the 1st of July and decided to protest the TN Government’s decision and shut down the screens for four days from 3rd – 6th July 2017 incurring a loss of over Rs. 400 crores to the Industry. TN Government decided to put the levy on hold and allowed the Theatres to operate as per old norms.


Now here is the catch; GST had just replaced the Entertainment Tax and was 2% lower. Which means, the ticket prices should have gone down or remained as they were. But the smart industry guys have played their cards well by adding 28% GST on to the Maximum Ticket Price of Rs. 120 which is against the spirit of GST implementation. Interestingly, neither the Central nor State Government have taken cognizance of this issue and cinema goers have been forced to shell out more from their pockets. With the already sky-high costs of Pepsi, Coke, Popcorn and other Food & Beverages inside the theatres, regular visitors have been dissuaded leading to a 30% drop in tickets sold. If this trend continues, more footfalls will reduce and would have a deep impact on the film exhibition industry. A few star-studded movies are in the pipeline, which will decide if this move by Cinemas to pass on the GST to customers will have a significant impact. With burgeoning OTT Apps & ever increasing movies screened illegally on websites, the fate of the film industry is facing a Damocles Sword.

12 October, 2010

Chitti wears Ray Ban, drives a Bentley, shops at Joy Alukkas & Lifestyle

Chitti, the Robot created by its scientist Dr. Vaseegaran (both characters portrayed by the Superstar of Indian Cinema Rajnikanth) in the tamil film Enthiran (Robot in Hindi) that is directed by Shankar wears Ray Ban, Police and other designer sun glasses all through. There is a particular scene where the two of them shop diamond necklaces for their common girlfriend at Joy Alukkas, a leading name in ornamental jewellery in the southern markets in India. And the villainy Robot drives a Bentley, ransacks a Lifestyle Department Store only to stock up everything that’s needed for its lover. The scientist and his robot travel in a Mercedes CLK while the scientist’s home is shown as an exquisitely designed villa. All through the film, the leading characters including Aishwarya Rai wear designer stuff, exclusively crafted by ace designer Manish Malhotra who shot to fame since the late 90’s when he designed outfits for the likes of Shah Rukh Khan and his contemporaries of the Hindi film industry. This is Manish’s second outing in the South after the previous hugely successful Sivaji (2007) which had the super-hit combo of Rajnikanth & Shankar. Meanwhile, Salman Khan’s recent Dabangg portrayed him as a Police officer whose moustache and Ray Ban became more popular at some stage than the plot of the movie itself.


So, what’s with film actors and Brands? What is the underlining message? Well, there are two, in my opinion. One, that the film shows the characters as having been “evolved” using the latest – be it gadgets or cars, clothes or accessories. Second, “brand placement” or “product placement” is seen as a great opportunity by many brands (including retailers) to create aspirational value. While the trend has been popular in English and European movies for many decades (James Bond and his love for cars and gadgets, for example), the trend has been on and off in Indian movies. I remember another Tamil movie “Tenali” (2001) which featured Kamal Hassan as a “hyper” patient who is scared of almost everything in life, portraying Toyota Qualis as a very reliable car when it hits the edge of a mountain wall and nothing happens to its occupants. Shah Rukh Khan in the movie “Don” (2006) sported Tag Heuer watches which became hugely popular among the relevant target groups. Most recently, Sonam Kapoor in the film Aisha (2010) sported trendy bags and sun glasses while also shopping at Delhi’s DLF Emporio, the most upmarket Mall that houses Dior, CK, etc.


But the big question is do these product placements have any impact on “consumers”? Yes and No. While there is certainly an impact on the consumers about the awareness of the brands and products, the aspiration to own them is limited, given the fact that most of these brands appeal to the top-end of the society. As much as a Rajnikanth or Salman fan who pays over Rs. 300 for a movie ticket during the first week of release would love to own one of those sun glasses, he just can’t afford it. And it applies to clothes, accessories, and even cars. So, do these placements atleast bring walk-ins into the Retail stores? Ace designer Deepika Govind feels not necessarily as those who wear designer stuff may not want to wear something that’s very common. “Such clients follow global fashion and hence do not pick up something off the shelf worn by actors and actresses that are available off the shelf”, she says. It could be a bit different for street wear as promoted by the likes of Hrithik Roshan or Ranbir Kapoor but the following is limited and appeals mostly to the urban audience. Budding designer Aarti Tibrewal opines that the characters portrayed by films stars have indeed impacted what the audience what to wear. “At the same time, the commercial success of the movie has much to do with the brand recall,” she says. For example, the Anarkali dresses worn in them movie “Devdas” (2002) were popular also because the movie was a box-office hit, while Aisha didn’t fare as well as it was expected to be and hence the follow-up was also mute.


Retailers like Cafe Coffee Day and many other restaurants and bars allow a lot of movie shootings at their outlets so the audience are able to connect easily with their favourite hang-outs.  While some charge the producers for letting their “space on hire” a few exchange it for the publicity they would derive. Brands, on the other hand use this primarily as a promotional tool, taking their product range to a wider audience. While the topic of “success on product placements” can be debated a lot, immediate results vouch for its success. A quick check at the eyewear counters of Department Stores in Mumbai and Chennai / Bangalore confirmed that there were a number of enquiries for sunglasses after shoppers saw Dabangg & Enthiran respectively. May not be the same for the Mercedes and Bentley though. Anyway, I am planning to increase my Ray-Ban collection, so what about you?  


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