Mall revival - Real or Imaginary?

I have been visiting Malls in Chennai and Bangalore ever since they were open for public after continued lockdowns since Mar. ’20 due to the ongoing Corona pandemic. Mall owners, Multiplexes, Retailers, Restaurants and perhaps every consumer-serving business has been quite badly hit all these months and globally, we have seen many of them go bankrupt or shut down their businesses, while a few are somehow staying afloat amidst all the chaos. In the early years of my career with India’s first seamless mall chain way back in 2005, Bangalore Central I realised how Indians shop and consume – food, clothing and entertainment go together. We are a country that meticulously plans for a movie outing with a date, family members or friends and eventually dress up to visit a Cinema Hall. Therefore, Multiplexes, ranging from 3 screens to 7 or even 8 have been a regular feature at most of the Malls across India and is credited for one of the key reasons for a Centre’s success.

With the first lockdown that began on 25 March, the entire Movie exhibition Industry collapsed at one shot leaving thousands of employees astray as well as Standalone theatres and multiplexes in the lurch. Social distancing being the key advocacy for avoiding contact with the dreaded Corona virus carriers, all public spaces were shut and the entertainment thirsty consumer cohorts turned to Over the Top or OTT platforms such as Netflix, Amazon Prime and the more desi- Zee5 or SonyLiv among a dozen other options. Many small and hitherto unknown, unheard movies made it to the small screen – with a screen size ranging from 5” mobile phones to 10-11” Tablets and iPads to the more popular 13-15” Laptops. In unison, many of us echoed that it would simply make no sense to visit theatres anymore, given that an outing with a family could cost as much as Rs. 1,500-2,000 including the movie tickets, pop-corn+Cola and a meal before or after the movie. 

At one stroke, all this changed. India produces and releases over 2,000 feature films annually across theatres. It took an average 7-10 weeks for the films to hit an OTT screen until early 2020. And atleast 2-3 months until they made it to the small screen through Satellite Tv. Now, they remain just historical facts and nothing more. Bollywood takes credit of atleast 1,000 movie releases annually while Tamil and Telugu produce around 300+ every year. All other Indian language films as well as a few English releases (including dubbed in to local languages) take the rest of the pie. No wonder, that the southern states have more number of theatres and multiplexes though standalone centers have reduced from 12,000+ two decades back to under 5,000 pre-Pandemic and right now, we don’t really know how many are even ready to open their doors full-fledged. While the Multiplex screens have been growing and even now, PVR and Inox, the two top exhibitors have assured to add more screens and ensure safety and hygiene of the visitors, the audience are trickling in slower than anticipated. 

In tamil language, Penguin feat. Keerthi Suresh was the first big outing on an OTT while Surya’s Soorarai Potru, an adaption of the biography of Capt. Gopinath, the erstwhile Founder of Air Deccan Airlines was the first big top hero film to release on Prime. Actor Vijay’s much anticipated Master will remain etched in history and his story to be the first big theatrical outing after the Government allowed full functioning of theatres, much to the chagrin of Doctors, activists and the general public who have been heaving a sigh of relief with lower incidences over the past 3 months in Tamil Nadu, especially with Chennai being the hotspot during the peak season of Apr. – Jun. ’20 when Corona incidences were the highest. The films is estimated to have collected over Rs. 230 crores from Box Office collections, although the calculation of such revenues have always been murky and secretive. 

Amidst all this, did Multiplexes and Malls benefit? Little, to my limited knowledge. The more matured mall rats and multiplex audience have preferred to stay away as I don’t see many takers for the safe viewing of cinemas, especially with so many people crowding at theatres. While Foodcourts are brimming, I saw / see very few patrons walking out of apparel branded stores walk out with shopping bags, despite the deep discounts which the Brands are offering. 

The biggest surprise I learnt recently was BookMyShow, the pioneer of online booking has planned to release movies on their Apps doubling up as an OTT platform! Whoa. Look what the Corona pandemic has done to us! Who would have ever thought that a ticket booking website and App would also host movies on demand on a pay per view model. Fantastic times that we live in, indeed. Whether BMS will succeed in this already crowded space is anyone’s guess. But my worry is how will retailers draw crowds to their stores, especially those in the Malls who’s bread and butter was the more affluent Multiplex audience. We are running short of patience, time and money in the bank. Mall Owners, Multiplexes and Retailers have to collectively take a decision seated on a round table, leaving aside their individual motives and egos. Dropping off Parking Fee for 4W could be a beginning. Or atleast reimburse the fee against shopping, so we draw more footfalls into the malls. Screening older films, yesteryear superhits and perhaps a nice set of Academy / Award winning films could be another option. But waiting for a day when customers would pour-over and just do “revenge-shopping” like the Chinese did - is perhaps a hope that we all want to live with, unless it remains a widely circulated article & not reality.

Wake up guys. We are short of time, money and patience. Repeat. 

GST on Cinema Tickets

The Union Government of India has recently announced a reduction of GST on Movie Tickets from 28% to 18%. The Film Industry took collective credit for hard-bargaining this issue with the Prime Minister and many celebrities thanked him on social media. However, the average movie-goer isn’t too kicked.

2018 has been very average for the Indian Film Industry with many high profile, high budget Hindi films tanking like no other, notably Shah Rukh Khan’s latest outing “Zero” and Amitabh Bachhan / Aamir Khan’s magnum opus “Thugs of Hindostan”. Needless to say, the only saving grace was Superstar Rajinikanth’s 2.0 directed by ace Director Shankar, his third outing with the mega actor after Sivaji - The Boss (2007) and Enthiran (The Robot) which released in 2010. Produced by Lyca at an estimated budget of over Rs. 550 Crores (a little less than USD 80 million) - perhaps the only Indian film to have been invested so much upon. And to everyone’s surprise, the film has raked over Rs. 700 Crores at Box offices worldwide in its first three weeks of release and is still seeing full occupancies during the Christmas / New Year weekend as well. Karan Johar took up the release of the film in the Hindi Belt and has done a fantastic job indeed. 

I was at Delhi two weeks back and finished my meetings ahead of schedule and was sitting over a Cappuccino in one of South Delhi’s tony Malls. Was quite excited to watch 2.0 in Hindi (after watching 4 times in Tamil already at various theatres in Chennai). The ticket cost for 2.0 in 3D was Rs. 450 including GST. Add to that, my proposed indulgence of Popcorn, Nachos and Coffee and I would have ended up spending at least Rs. 1,000 over 4 hours. At a spur of the moment, I decided against it and went ahead with some other plans. Of the Rs. 450, I guess 28% would have been taxes. So, I would have paid about Rs. 120 as GST which would now be reduced by Rs. 40 approximately (depending on Ticket costs). 

Is reduction of GST on cinema tickets a good move? Yes. 

Will it draw more audiences in to the Cinemas / Multiplexes? Perhaps Not.

Here’s why I reckon so;

Most theatres focus on the F&B offering than the core - Movies. Multiplex chains like PVR and SPI Sathyam (now owned by PVR) focus on the “experience” of watching a movie while standalone Cinemas too have focussed on improving facilities. Sadly, reduction of GST is not enough to draw audiences. We need better content from film makers and needless to say, a sharp reduction in F&B prices. By reducing the prices and focussing on volumes, the Theatre Owners would see a significant jump in occupancy which hovers around 40% on weekdays and approx. 70% on weekends. 

GST is now reduced from 28% to 18% on Tvs - Smart Tvs which come with built-in OTT Apps like SunNxt, Hotstar, Zee5 and of course YouTube. Theatre Owners, hello there?!?

GST at Cinema Theatres

GST is the most searched term, perhaps in the past 30 days or so. India transitioned to GST on the midnight of 1^st July 2017 with a special session of the Parliament, which was attended by the Prime Minister and his Cabinet including members of the Opposition. Much has been spoken about GST so I am not going to delve in any further. But I am presenting my views on how GST in Tamil Film Industry is affecting the trade.

In Tamil Nadu, there was no VAT on cinema tickets prior to GST. However, there was an Entertainment Tax @ 30% on the ticket prices. The DMK Government, when they claimed power in 2001 provided a reprieve to the Tamil cinema Industry for the said Entertainment Tax if the film had a title in Tamil and was provided a U Certificate among a few other clauses. That’s when Sun Pictures was floated (a division of Sun Media Network which runs Sun Tv & 45+ channels in four regional languages). The reprieve was used by most Producers with fancy Tamil titles including the all time highest grosser of Superstar Rajnikanth whose film directed by Shankar was titled “Enthiran” meaning Robot in Tamil.

The ticket prices in Tamil Nadu have been capped at Rs. 120 for Multiplex screens and Rs. 100 for standalone Theatres. The 120-cap was inclusive of 30% ET, which means the actual earning to the Theatre Operator was only Rs. 84. However, due to the largesse by the successive Governments, the theatres were able to earn extra – the ET collection was not passed on to the Customers, rather pocketed in to their kitties – obviously because the Producers knew they could hard bargain with the Exhibitors for a higher Minimum Guarantee & higher Revenue Share as well. This vicious cycle has been going on for a while with 9 out of 10 cinemagoers unaware of the same.

On June 30^th 2017, the TN Government passed a mandate where the local body tax was applicable at 30%, which was over and above the GST. Cinema Exhibitors got in to a huddle on the 1^st of July and decided to protest the TN Government’s decision and shut down the screens for four days from 3^rd – 6^th July 2017 incurring a loss of over Rs. 400 crores to the Industry. TN Government decided to put the levy on hold and allowed the Theatres to operate as per old norms.

Now here is the catch; GST had just replaced the Entertainment Tax and was 2% lower. Which means, the ticket prices should have gone down or remained as they were. But the smart industry guys have played their cards well by adding 28% GST on to the Maximum Ticket Price of Rs. 120 which is against the spirit of GST implementation. Interestingly, neither the Central nor State Government have taken cognizance of this issue and cinema goers have been forced to shell out more from their pockets. With the already sky-high costs of Pepsi, Coke, Popcorn and other Food & Beverages inside the theatres, regular visitors have been dissuaded leading to a 30% drop in tickets sold. If this trend continues, more footfalls will reduce and would have a deep impact on the film exhibition industry. A few star-studded movies are in the pipeline, which will decide if this move by Cinemas to pass on the GST to customers will have a significant impact. With burgeoning OTT Apps & ever increasing movies screened illegally on websites, the fate of the film industry is facing a Damocles Sword.